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8.31.2010

An Appropriate 40th Anniversary Celebration of "Bitches Brew"

Good morning, friends!

So, after reading about this in both NPR's music news, as well as in the Philadelphia Metro, I absolutely could not resist sharing. Though you may have already heard by now, in honor of the 40th Anniversary of Miles Davis' release of his controversial "fusion-breakthrough" album, "Bitches Brew," Dogfish Head has created its own "Bitches Brew".  This original, craft brewed ale is described on the Dogfish Head site as a "bold, dark beer that's a fusion of three threads imperial stout and one thread honey beer with gesho root, a gustatory analog to Miles' masterpiece."  The bottle itself features the original album's artwork on its label.  

The "brew" was first introduced to the public at SAVOR, An American Craft Beer & Food Experience, this past June in Washington DC.  It will be introduced to Philadelphia tonight at World Cafe Live, at a party that will feature a performance of Miles' eclectic work by jazz pianist Orrin Evans.  The party begins at 5 pm, with the musical performances beginning at 6:45 pm, and Dogfish Head beer specials go through 9 pm. Note:  You should call ahead to reserve seating, and the beer specials are first come, first served.

Additionally, two 40th Anniversary editions of Miles Davis' "Bitches Brew"--a Legacy Edition and a deluxe Collector's Edition--are being released today, August 31.  Below, I have included a clip of Davis performing "Miles Runs the Voodoo Down" off the Collector's Edition.

(C) 2010 Sony Music Entertainment

Now, if you know me well enough, you probably know that while I love Miles Davis' earlier work (specifically the period from 1955 - 1960, with albums like "Miles Ahead," Milestones," and "Kind of Blue"), I am not so much a fan of his late-60s - 70s "jazz-rock fusion" which some referred to as "space music" (and I tend to agree with that description!).  Even so, there is no denying Davis' talent, and I do admire his willingness to take risks and experiment with music, despite "popular" opinion.  

I also happen to think it's really cool that Dogfish Head created a beer in honor of Miles Davis.  I mean, come on!!  I know I can't wait to try it.

Until next time!
-Tina

8.27.2010

"Some People Like to Fill the World with Silly Love Songs...

...And what's wrong with that?"

I have this really cool little painting at home that features a clarinet player, alto player, piano player, and female vocalist.  I picked it up at a craft fair at Headhouse Square a few years ago because I thought it represented me pretty much to a "T."  Written on the painting are the words: "'Music' is love, in search of a word," which I thought was a pretty good way of putting it.  When you think about it, how many songs that you know are about love, in some form?  How about I put it this way, how many songs can you think of that can't be related to love?  And on that note (no pun intended), how many of these "love" songs don't have lyrics that could be considered "silly?"

Anyway, I recently got to thinking about all of this because, believe it or not, I've been trying to put together my "album" since hmmm.... late 2006?  Seriously.  It's been brutal.  I could probably come up with a million excuses why I never finished it... but in any event, lately I've been trying to get back at it.  So today, in what will be a bit of a more personal entry than you're used to reading, I thought I would share some of my random thoughts about songwriting.  (I'll warn you, this is a long one.) 

It is hard to write music, and I attribute my delay to two main reasons: lack of emotion/inspiration and my inability and downright distaste for writing lyrics.

"It's Just Emotions Takin' Me Over..."

It has become clear to me that I am only able to write music when I am 1) incredibly happy, or 2) ridiculously sad.  I personally never feel more inspired to write a song than when I am either totally on Cloud 9, or the inverse of that, just had my heart broken.  Only when I'm at my most vulnerable do I actually think the stuff I write is any good--from the heart, full of passion.  And that is what music is all about, right?  From a listener's perspective, if the songwriters out there wrote songs about just hanging out feeling just "ok" or "pretty good," would you really care?  Could you really relate to that?  Would it be enough to "move you?"  When you're feeling happy/in love/insert another emotion that works here, would it be enough to make you play the same song on repeat over and over, while singing and dancing down Walnut Street in the middle of the morning rush, every morning on your way to work?  Um, hypothetically speaking of course...

I'll admit, most of my songs are written when I am terribly sad, which I happen to think stinks!  I hate being sad!  Many have told me I am the least sad or negative person they know, and I'd like to keep it that way!  But alas, sad happens, and unfortunately when it does is when I'm at my best at songwriting.  Pretty ironic, huh?  I can write songs when I'm happy/blissful too, but those are few-and-far-between.  Whatever the emotion I'm feeling though, I find that if I don't take full advantage of it, I wind up with a lot of unfinished songs.  For instance, I started to write one of these "happy" tunes not all that long ago, and you know what?  I was ready to write a sad song again before I could finish the happy one!  My point?  Whatever the emotion, I just know that if I don't take full hold of it and commit to finishing a song right then and there, once it passes it's usually a missed opportunity.

In late 2006/early 2007, when I started "the album," I was feeling pretty emotional.  I just was not happy, and couldn't quite get out of this funk I was in.  I wrote a whole handful of songs during that time.  I still play most of them today, actually.  At least the ones I think are any good.  Between that time and today, I have to be honest I haven't done much.  I started to write a couple of songs, that I never finished, and frankly, I just started feeling less and less inspired by anything after a while.  It's about time I kicked it into higher gear.  So, go on... inspire me!  To write "happy" tunes, maybe?  Just a thought. :)

"More Than Words..."

Ahhh, then there is writing lyrics... let's just say, not my favorite thing to do.  To be frank, I'm terrible with words.  Pretty interesting that I find myself managing a blog of all things, but nevertheless... I never say the right thing, and I always want to say too much.  Which pretty much correlates directly to me being a terrible lyricist.  I can sit at the keyboard for hours playing a series of really awesome, sometimes haunting chord progressions (mostly minor chords--surprised?), and just hum or sing a melodic line on "do da do da do" and think I've come up with something really awesome.  Then, the minute I try to add words, I am easily discouraged and frustrated.  If I do manage to write lyrics I think are decent, a few days later I hate them.  Sound familiar to anyone?

The more music I listen to though, and the more I pay attention to the lyrics, the more I am realizing that most lyrics are succinct and to the point.  "She loves you, yeah, yeah, yeah. And you know you should be glad." That's all you have to say!  I always thought I had to say something really profound, really inspirational and poetic.  "I wanna hold your hand."  No seriously, really?  Yes, really. It's that easy.

Hell, the first hundred or so times I listened to this line in Taylor Swift's "Today was a Fairytale" (don't judge!): "I can feel my heart, it's beating in my chest" I thought, "Really?  People can write this crap and be famous?  That doesn't even make any sense!  How about, 'I can feel my heart, ready to explode out of my chest!!'  I mean, that's what it really feels like, isn't it?!"  I let myself get so outraged by it, that it was funny.  But the fact is, the next couple times I listened to it, I got it.  The words she was singing didn't matter, it was the swelling of her voice, the emotion, the building of the music, etc. that did.  (I mean, this is a Taylor Swift song we're talking about, but you get my point.)  If the listener is in the right mindset, and can relate to what she is trying to say, in the simplest terms, Taylor Swift has succeeded!  When I hear it now, I no longer get angry, because it makes perfect sense.

Not to say that I am completely over the hump of not caring about words, but I am getting to the point where I am comfortable singing something like "the clothes were all over the place and the bathroom was a mess, and for the first time in a long time I couldn't care less."  And you know what?  That lyric probably really stinks to someone else, but I get it, and someone else will, and in that respect, I will have succeeded.

Concluding Thoughts

I know I will never be a great songwriter, and even if I do finish "the album," no one is going to buy it!!  Haha. What can I say, I'm a realist?  Oh wait, no I'm not... But seriously.  I'm not dumb enough to think that if Pepper's Ghost couldn't make it (but a band like Nickelback could), that I will ever be a famous singer or songwriter.  And I am "okay" with that.  Not about the Nickelback part.  Really not okay with that.  But as far as my own album is concerned, once I get past some of the hang-ups and finish the damn thing, it's going to be an awesome personal achievement, and I'll be happy knowing I finished it, no royalties necessary.

And now, off to write some music...

Musically yours,
Tina

8.17.2010

Enter The Rooms CD Release!

Hi Friends!

I wanted to let you all know about a killer show coming up this Saturday night at World Cafe Live, featuring the band of a few good friends of mine, Enter the Rooms!  ETR is an alternative rock band that was formed in 2008 in Philadelphia.  Members include: Matt DeAngelis on guitar, Michael Mayton on guitar and lead vocals, Matt McGlaughlin on bass, Matt Orlando on drums, and the band's most recent addition, Tony Yoo on keyboards.  This will be the band's CD release show, so it's not one to be missed!  (Though I regretfully will not be in town for it, doh!)


A little description about the band and its sound, taken from the ETR website:

"Known for their dynamic and ever-evolving sound, Enter the Rooms has been described as a style-transcending act that incorporates musical experimentation, artistic vision, and a message of personal experience. Following the successful release of 'Before We Grow Empty', Enter the Rooms have been hard at work creating their next sonic vision. The highly anticipated sophomore effort has already began gaining buzz through the small showcases the band has played to refine their work. Drawing from the sounds that they are now known for, and pushing themselves to new creative heights, Enter the Rooms is ready to make a bold and uncompromised statement."

Check out one of ETR's music video's to "Part of Me" here!  Oh, and visit the band's Facebook Page, while you're at it!

Some more details about the show:
Date/Time: Saturday, August 21, 2010 | Doors 7pm | Show 8pm | Downstairs Live
Tickets: Floor/Loge (Limited General Admission Seating plus Standing Room): $16 ($13 ticket + $3 processing fee)  Purchase tickets here!

Feel free to get in touch with me with any questions, and I will put you in touch with the right person, or get the information for you!  
Enjoy the show!
Tina

8.11.2010

"Louis" & Brubeck Come to Philadelphia!

Hi Friends and Happy Wednesday!

I recently learned of two upcoming performances coming to Philadelphia, both of which are sure to be excellent, so I wanted to share!

First, "Louis: A Silent Film" is scheduled to be performed at the Keswick Theater on Tuesday, August 31, 2010.  This will be the only performance in Philadelphia, and it appears to be the final performance of the show's run.  The show will feature live musical performances by Wynton Marsalis and pianist Cecile Licad, as well as a 10-piece "all-star" jazz ensemble.

Taken from the show's website, "LOUIS is an homage to Louis Armstrong, Charlie Chaplin, beautiful women, and the birth of American music."  This fascinates me on multiple levels, as I have been wanting to see Wynton Marsalis perform, and I also would love to know more about the life of Armstrong, in addition to what I know from watching Ken Burns' "Jazz" documentary a few years back.  For more details about the show, and to purchase tickets, click here!


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The second performance that I wanted to let you all know about is one I am especially excited for:  Dave Brubeck at Verizon Hall at the Kimmel Center!!  Okay, so this performance is not until October, but I am planning on purchasing tickets now, for fear that it will sell out.  I have hesitated in the past and lost, so now I am proactive :)  The exact date and time is Tuesday, October 26, 2010.  For more details about this event, and to purchase tickets, click here!

I don't know if anyone watched the Kennedy Center Honors this year (I never watch award shows, but I happened to be with my grandmother at the time, who does), but the tribute to Brubeck was phenomenal.  Here is one clip from the evening.  You just do not see live jazz like this on prime time national television anymore, and the look on Brubeck's face when they announced his sons performing moved me to tears!  This was said at the Honors about Brubeck and his music:  "Jazz, like the country of its birth, is forever a dazzling work in progress.  The genius of that progress for more than six decades... is embodied in Dave Brubeck's music."



I do not know that I will be able to attend both events, but I am planning to purchase at least two tickets to the Brubeck performance within the next couple of days.  I do not yet know who I am taking with me, so if you are interested, please contact me offline :)

Hope you can make it out to at least one of these fabulous events!

Always,
Tina

8.07.2010

2010 Philly Fringe Festival

Hello friends!

Colloquially known around Philly as simply, "the Fringe Festival," The 14th Annual Philadelphia Live Arts Festival and Philly Fringe, is taking place this year from September 3-18, 2010.  This year, I will have the opportunity to participate in the festival, as part of a children's opera called "The Crowded House."

A little background about the Festival:  It is an "unfiltered" Festival that supports the work of a broad array of performing artists--both new and established--by presenting two concurrent 16-day festivals each September at various venues throughout the city of Philadelphia.  Nick Stuccio, the Festival's Producing Director, selects the artists who will perform--about half of whom are from Philadelphia, the other half from all over the world.  As stated on their website, "the mission of the Festival is to provide an opportunity and a platform for Philadelphia-based artists to produce their work."

Written by local composer Michael Dutka, "The Crowded House" is a whimsical children's opera, based on a traditional tale, that ignites the imagination with visions of dancing sunflowers and animals, princesses and knights, and a good witch! The show premiered at The Barnstormer's Theater in Ridley Park, PA, and I had the pleasure of playing clarinet as part of a woodwind quintet + piano pit orchestra for six performances this past April.  I have included some photos from the performance, below.  (If you look closely, you can see me on clarinet in two of them! :)




The Crowded House will run for five performances, from September 9-12, at The Lantern Theater Company's St. Stephen's Theater.  The Festival's description of the show, including detailed information regarding showtimes and location information can be found here:  http://www.livearts-fringe.org/details.cfm?id=13532.  This 65-minute long show is one fit for the whole family, so come on out and bring the kiddies!  I am delighted to have the opportunity to play this show again, and to be participating in this year's Fringe Festival!

Hope to see you there!
Tina

8.01.2010

"Jazzing Up" Brunch, Philly Style

Hi Friends,

So, it is Sunday, and while admittedly past the hours that are generally acceptable for "brunch," I can't help but think of brunch on Sundays.  Sitting down to a nice brunch is probably one of my favorite activities, particularly on an early Sunday afternoon, when the weather is something like it was yesterday--around 80 degrees, abundant sunshine, with a nice breeze.  So how does this tie into music, you might be wondering?

Well, by now, one thing you should have learned about me is that I also love jazz.  In fact, jazz is arguably my favorite type of music to listen to.  Combine this with my affinity for brunch, and you  have pretty much the best date this girl could ask for: Jazz Brunch.

I recently heard about a few spots offering live jazz during Sunday brunch, so I thought I would share:

  • Estia, located at 1405-07 Locust St, an upscale Greek and Mediterranean restaurant, features a live jazz band during Sunday brunch from 12 pm - 3 pm.  
  • Nodding Head Brewery, located at 1516 Sansom Street, features not only unique micro-brews on tap, but also jazz brunch on Sundays from 10 am - 1 pm.  
  • Manayunk Brewery on Main Street in Manayunk has a live jazz brunch buffet on Sundays from 10:30 am - 2 pm.   
  • It has also been rumored that "Mar Bar" (upstairs at the Marathon Grill) at 40th & Walnut Streets in University City features jazz brunch on Sundays, although I was unable to find any details online.
I unfortunately have not attended any of the aforementioned jazz brunches, so you'll have to rely on Yelp for reviews on any of these for the time being.  I do hope to check out one of these spots soon, however, so "stay 'tuned'"!

~Tina